Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Portrait of Mme Thiroux d'Arconville Darlus 1735

ID: 76684

unknow artist Portrait of Mme Thiroux d'Arconville Darlus 1735
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unknow artist Portrait of Mme Thiroux d'Arconville Darlus 1735


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unknow artist

  Related Paintings of unknow artist :. | The Groenmarkt as seen towards the Westeinde | A Love Story | Deposition from the Cross | Seascape, boats, ships and warships. 86 | Seascape, boats, ships and warships. 80 |
Related Artists:
James Augustus Suydam
(1819-1865) architect, lawyer, and artist; as an artist was considered one of the premier Luminism painters. He is widely known as an American landscape painter and one of the leading members of the Hudson River School. James Augustus Suydam was descended from an old New York Dutch merchant family. He graduated from New York University (then the University of the City of New York), and began his career as a businessman but turned a significant portion of his energies to painting, studying under famed artist and portrait painter Minor C. Kellogg. At the age of thirty he was elected to the Century Association. One of the "regulars" who gathered to paint at North Conway, New Hampshire, he exhibited Conway Meadows at the New York Athenaeum and Boston Athenaeum. He opened his studio at the noted 10th Street Studio Building, New York City, in 1858. The following year he was elected an honorary professional member in the prestigious National Academy of Design, which granted him full membership in 1861. He died suddenly in North Conway at the age of 46. James Suydam was described by his friend, the accomplished artist Sanford Robinson Gifford as a "thoroughly educated and accomplished man. " In addition to his work as an artist, which he began only after working in law and architecture, he was widely read and well-versed in history, philosophy, and the sciences. His work as a landscape painter reflects this breadth of knowledge and reveals Suydam as a deeply spiritual individual. Using his familiarity with science, Suydam reduced nature to calm, clean, planar forms, and then distorted proportional relations so that God's creations loomed superior over the work of man. The National Academy has most of his works such as Paradise Rocks (1865), and the Taft family's Taft Museum also holds works. The Taft also has a podcast website for this artist. A painting of Gifford's from 1859 which Suydam, according to a report, "donated to the [National] academy in 1865," became the subject of a deaccession controversy at the Academy in late 2008.
Michel-Ange Houasse
1680-1730 French Michel Ange Houasse Gallery Son of Rene-Antoine Houasse. He trained in his father's circle, becoming familiar with the academic teaching methods then fashionable in France and also in Italy, where he went with his father. In 1706 he joined the Acad?mie Royale de Peinture et de Sculpture in Paris, obtaining the rank of Academician in 1707 with the painting Hercules and Lichas (Tours, Mus. B.-A.). In Rome he probably became acquainted with the Marquis d'Aubigny, secretary to the powerful Princess Orsini, who was close to Philip V of Spain. The Spanish King already had the painter Henri de Favanne in his service in Madrid; Michel-Ange was recommended for work at the Spanish court by Count Jean Orry (1652-1719), the King's French finance minister, and arrived there in 1715. He had contact with the French artists at court and married the daughter of the French architect Rene Carlier.
Erik Johan lofgren
Erik Johan Löfgren (15. lokakuuta 1825 Turku -- 10. joulukuuta 1884) oli suomalainen taidemaalari. Löfgrenin vanhemmat olivat kauppias Johan Gabriel Löfgren ja Katarina Erikintytär o.s. Vahlsten. Hän opiskeli T. J. Leglerin johdolla Ruotsin kuninkaallisessa taideakatemiassa Tukholmassa 1842?C1850 ja sitten D??sseldorfin taideakatemiassa O. Mengelbergin ja F. Th. Hildebrandtin johdolla 1853?C1858. Löfgren toimi taulujen restauroijana Tukholmassa 1842?C1853 ja myöhemmin 1870-luvulla hän oli opettajana Helsingin yliopiston piirustussalissa. Hänen maalaustyylinsä oli lyyrisen romanttista ja hän maalasi muotokuvia sekä historian tapahtumista aiheensa saaneita maalauksia.






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